![]() The ball celebrates a rich cultural legacy dating back to 1814, but to some, the extravagance supports overtly capitalistic values. The Vienna Opera Ball has been received with both awe and disdain. The addition of black-tie attire, Austrian elite, and a media presence even managed to shift the already-serious atmosphere into one laden with palpable historical weight. Twenty-four hours after our last rehearsal, the space transformed into the physical embodiment of Austrian opulence. The Wiener Opernball was a sparkling experience. In the end, each passage was cemented into my memory after a final general rehearsal, where I had the distinct privilege of watching the Vienna Philharmonic Orchestra, Vienna State Opera Ballet, and renowned opera singers Anna Netrebko and Yusiv Eyvazov work out their final kinks before the big event, all from front-row seats. I was initially introduced to this particular work through private waltz lessons with my partner, and I was further familiarized with the piece through two, day-long rehearsals at the Vienna Opera House. I let Strauss guide my movements-how long to hold my smile, how to time my footsteps correctly. However, much like the Austrians themselves, the music also managed to convey the point politely-it was almost 10 PM, and the Vienna Opera Ball Eröffnung was about to begin.ĭuring our week of pre-ball preparation, I learned to find a safe haven in the melody. Set to the light yet authoritative melody of his Jubel Marsch, we promenaded into the Vienna State Opera ballroom with the music demanding the entire hall’s attention. ![]() ![]() As part of the 2019 opening committee, our grand entrance was heralded by an upbeat, orchestral march written by beloved Austrian composer Johann Strauss. ![]()
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